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Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
A colorful Mexican town. Two half brothers. Romeo and Preciado meet again to honor their dad's memory in a car rally full of adrenaline and banda music.
Parvati, Gisa, Santo and Baby are the only members of the fan club"Exilados" dedicated to the band Príncipes no Exíllo; the sudden news that the group has come to an end hits them hard. While they try to understand why their idols put their dream lives on pause, they have to go through the maturation phase.
Record of the rehearsal of the band Amsanctus in which the actor and film editor from Canibal, E.B. Toniolli, played. The master of the document, lasting about 30 minutes, was not found. The work was partially recovered from the feature "The Cannibals-Mabusiânus also dance Vol. 1" where it had been partially used.
I Am... Sasha Fierce (Platinum Edition) is a video album by American recording artist Beyoncé. It features eight music videos for songs from her third studio album, I Am... Sasha Fierce. Including "Behind the Scenes" footage.
The life and loves of great composer Giuseppe Verdi are played against a background of the great operas of the 19th Century. A tender love story of his successful and turbulent life, with more than 20 excerpts from his acclaimed operas.
Cue's a murderer who doesn't want to be. It's not his fault though, something is commanding him to be the way he is.
It's the movie that retraces the Laura’s life in a wholly original way. Through never-seen-before footage of her real and fictional life, the artist shows us her essence, giving an honest and bold analysis of her life and how it could have been without that victory at Sanremo that, in 1993, changed her destiny forever.
From the Rai ‘Arturo Toscanini’ Auditorium, a concert by the Rai National Symphony Orchestra conducted by Trevor Pinnock. He is joined by pianist Christian Blackshaw. The programme features works by Mozart and Schubert.
La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Color). It features a young, pre-stardom 13-year-old Judy Garland singing "La Cucaracha" with her two sisters (billed as "The Garland Sisters"). In the film, Hollywood stars participate in a Mexican-themed revue and festival in Santa Barbara. Andy Devine, the "World's Greatest Matador," engages in a bullfight with a dubious bovine supplied by Buster Keaton, and musical numbers are provided by Joe Morrison and The Garland Sisters. Comedy bits and dance numbers are also featured.
A comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through a series of cinematic tweets.
