Music Movies
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Vanishing Point
In our humanity, there is a vanishing point. We step in and out of it; it’s a kind of zone in which we shift in each other’s perspective from definite to indefinite, and vice versa.” – Karl Ove Knausgaard. Taking inspiration from Knausgaard’s writing on art’s power to bolster our common humanity, Vanishing Point is a multi-channel film installation that meditates on human connection. The three screens show a line of musicians emerging from the distance as the music they play slowly becomes more audible. Through a series of synchronized camera movements, the sound of their instruments ebbs and flows, forming a constantly shifting trio playing a coherent piece of music across the three shots. The changing proximity and the resultant shifts in visual and sonic focus symbolize a mutable sense of connection between the viewer and musicians.
Siapa Dia
Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.
Rain the Color of Blue with a Little Red in It
Prince goes Sahel in this colorful homage to Purple Rain. Set among the sub-Saharan Tuareg people, and reputedly the first feature film in their Tamashek language (which has no word for "purple," hence the title). Resplendent in a purple robe and matching chopper, smoking hot guitarist Mdou Moctar arrives in a music-mad Niger town and sets about wooing a local beauty, clashing with his pious father, and fencing with the jealous king of the local scene (Kader Tanoutanoute, as wily and dapper as Morris Day) until their climactic six-string shootout.
ESWY
ESWY is a love story that keeps finding its way back. It is magical happenstances and ill-fated heroes, undying love and miraculous past-lives, crazed villains and unbelievable twists that tear through the fabric of reality and beckon you to dream. Are you ready to hop onto an adventure across lifetimes?
Liam Gallagher: 48 Hours at Rockfield
Unparalleled access to the world renowned rockstar, Liam Gallagher, as he heads to the famous Rockfield Studios in Wales with his sons, Lennon and Gene for 48 hours of music, memories and mayhem.
Elektro Moskva
Elektro Moskva is an essayistic documentary about the Soviet electronic age and its legacy. The story begins with the inventor of the world's first electronic instrument, Leon Theremin, unveiling the KGB's huge pile of fascinating devices, some of which were musical. They all came into existence as a by-product of a rampant defense industry. Nowadays, those aged and abandoned 'musical coffins', as solidly made as a Kalashnikov, are being recycled and reinterpreted by the post-Soviet generations of musicians, sound collectors and circuit benders. The story of the Soviet synthesizers as an allegory to the everyday life under the Soviet system: nothing works, but you have to make the best out of it. An electronic fairy tale about the inventive spirit of the free mind inside the iron curtain- and beyond.
Third Page from the Sun
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
Rondo Russo
A miniature film set to classical music. Porcelain figurines of a shepherdess, a chimney sweep, a mandarin, and a satyr stand on a mahogany cabinet. When the figurines come to life, it turns out that both the young chimney sweep and the satyr are in love with the shepherdess. When night falls, the chimney sweep and the shepherdess decide to run away. Wandering around a huge room, they come across a Chinese shadow play performed for characters from a deck of cards. In the play, the young lovers are forcibly separated by their families. Terrified by the meaning of the play, they run out of the room. The noise wakes up the satyr, who tries to prevent them from escaping. Satyr throws magical lightning bolts and destroys the mandarin's magic ball. The shepherdess and chimney sweep decide to leave their safe world.
Carnival Nights
Jack Benny presents a variety hour with a carnival theme that stars Lucille Ball, Johnny Carson, Ben Blue, and Paul Revere and The Raiders. Cameos by The Smothers Brothers (as Joe-Joe, the two-headed boy), George Burns (as Martine, the Bearded Lady), and Dean Martin (as Rip Van Rinkle, the sleeping man). Songs include Lucille Ball singing "It's So Nice To Have a Man Around the House" and "Cleo" (to the tune of "Mame"), "Too Much Talk" and "Him or Me" sung by Paul Revere and The Raiders.
Songwriter
Doc Jenkins may be one of country music's most beloved stars, but his private life is a wreck. He's split up with his longtime partner, Blackie Buck, a country outlaw with a heart of gold. Doc's singer-wife, Honey Carder, has thrown him out of the house. And now he's gotten involved with a sleazy music manager, Rodeo Rocky, who's out to steal his material. Teaming up with Blackie, Doc takes drastic measures to win back his family and reclaim his songs.
blur: To the End
Iconic British band blur (“Song 2”, “Girls & Boys”) comes together to record their first album in eight years – the chart-topping The Ballad of Darren – and prepare for the biggest concerts of their career, two sold-out shows at Wembley Stadium. With footage of the band in the studio and on the road, plus performances of their much-loved, seminal songs.
Perdition
Experimental anthology film from musician Sydenham High Road. It explores ideas of religious forgiveness and damnation.
Pascal Rophé conducts Berio, Mahler and Gísladóttir With Stéphane Degout
Under the baton of Pascal Rophé, the Radio France Philharmonic Orchestra performs Luciano Berio's Sinfonia and Mahler's Fünf frühe Lieder, after introducing us to Bára Gísladóttir's sea sons seasons.
Granatowy zeszyt
Juansebastián
Alannah Myles: Live at the Diamond Club Toronto
Alannah Myles concert at The Diamond Club, Toronto, ON, Canada on October 31, 1989