Browse popular Documentary movies
In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
12 years later, a failed school short film is resignified to share the multiple experiences that exist in the creation of a film.
Chronicle of a solidarity-political committee formed after the death of Manuel Gutiérrez, a 16-year-old boy who was shot by a the Chilean police during a night of protest in 2011.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
The film opens with a panoramic shot filmed from a church tower. From the tower, we can see the old town of Enkhuizen, Netherlands, and, in the background, the former Zuiderzee. The silent witnesses from these former times are the harbour, and the ‘Dromedaris’ fortress tower.
Visitors to the temples of modern art in global cities will be familiar with the white cube gallery space. But when one arises in the middle of a Congolese palm oil plantation, the effect is deeply disorienting. Furthermore, it draws attention to the often overlooked ties between colonialism and the art world, for example, through the multinationals that now proudly sponsor these Western museums. This Congolese arts center is part of artist Renzo Martens’s unorthodox plan to jump-start the local economy. Former workers at the plantation make sculptures that are reproduced in chocolate, and then exhibited in New York. The plantation workers, most of whom earn a dollar or less a day, use the profits from this successful exhibition to buy back the land confiscated from them by Unilever.
Adoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.
What is Bangla kalpavigyan? Is there such a thing as Bangla Science Fiction? Is there such a thing as Indian SF? This is our journey with the genre, captured and presented like never before in film. Beginning with the early work of writers such as Rokeya Sakhawat Hussain (Begum Rokeya) and the speculative mode in Bengal, and ending with the pioneering webzine Kalpabiswa, the film traces the historical arc of kalpavigyan over a century of the genre. From the genre magazines of the 1960s-80s and the writers and editors who ignited the movement by giving it shape and form, the film presents a series of conversations and critical reflections from researchers and scholars who have worked with the genre both in relation to Bengal and kalpavigyan as well as the wider phenomenon of SF.
Roughly a hundred years ago Stockholm City Hall was Inagurated and since then It has become one of the cities most famous silhouettes. This documentary depicts the how architect Ragnar Östberg fights through global crises and workers strikes together with the various artisans to finish Swedens monument to Its newfound democracy
Shockumentary that consists of various scenes of stock footage depicting death and real scenes of violence.
On the edges of their bodies, between the fragility of existence and its desiring intensities, three brazilian artists are transmuted with each performance. Their works question the limits we set in and for our own bodies.
How do the children of Vietnamese parents view Vietnam - those who speak better Czech than Vietnamese and who feel more in touch with Western culture than with that of their parents? This film tries to answer such questions by combining documentary scenes with elements of acting and a clear dramatic arc. For one of two brothers, a forced journey to Vietnam becomes an opportunity to better understand his origins, and thus his own parents and even himself. Czech viewers get a chance to see behind the wall of uniform cultural stereotypes and breathe life-giving movement into the minority.
In Jeevodaya, there is an educational and therapeutic centre for lepers and their families. Helena Pyz came here from Poland thirty years ago to help sick and hungry children. Over the years, she has begun to feel her weakness more and more acutely but the strength of her character does not allow her to surrender to her own illness.
In an extravagant house in Paris, people gather for sexual ceremonies in luxurious environments. The 83-year-old author, Catherine Robbe-Grillet is the brains and heart behind the erotic role playing. She is the dominatrix who controls what goes on and her partner, who is 31 years her junior, has promised to submit to her smallest command. Lina Mannheimer portrays a puzzling, intellectual and deeply fascinating woman who, accompanied by her husband Alain Robbe-Grillet, has dedicated herself to investigating sex both in life and in literature. The sadomasochistic ceremonies are presented with an intense presence and cinematic focus in this beautiful and thought-provoking debut film about desire, power and silk scarves.
With any and all things crypto being pushed by celebrities, influencers, and politicians alike, actor-turned-author and director Ben McKenzie decides to investigate. Leveraging his celebrity status to gain access to eager prospectors, McKenzie finds himself unraveling the loosely regulated world of cryptocurrency. This skeptical but evenhanded take on the present and future of what we consider money gives a firsthand account of the chaotic financial frontier of our time.
