Train Robbers
⭐ 6.0

Train Robbers

2019

In the mid 90s a gang of young criminals roamed the streets of Ranheim, a working class suburb of Trondheim. They receptively executed successful heists stealing tens of thousands of dollars worth of soda and beer from the northbound freight train. No one expected the culprits to be young boys aged 11 to 15 years old.

No Image
⭐ N/A

Development

2022

Young Iranian director Salef Kashefi creates a poetic diary out of pieces of his life in Paris. Graceful young faces filmed ever so tenderly, the golden radiance of religious paintings, trivialities of a disjointed daily life overtaken by a gnawing sadness… Each shot is a note whose vibrancy is only enhanced by the sound material, as a ghostly double, made of thick silences and repetitive motifs, melodic apparitions and echoes. Development is the translation on film of a melancholy that is sensitively distilled from the bottom of a bathtub. (Claire Lasolle)

Liam & Kiki
⭐ N/A

Liam & Kiki

2017

Fifteen-year-old twins Liam and Kiki discuss the correlation between sexuality and self-confidence.

Vers Nancy
⭐ 8.5

Vers Nancy

2002

A train conversation between an immigrant French woman and novelist Jean-Luc Nancy centering on the idea of intrusion within every foreigner (a more philosophical precursor to L'Intrus). A social commentary on the inherent fallacy - particularly in nations with a strong national identity like the U.S. and France - of the social notion that assimilation and integration embrace cultural differences; rather, it erases them.

Swingers
⭐ 5.5

Swingers

2020

Observational documentary unlocking the doors of Britain's hidden swinging scene via access to one of the country's most popular swinging clubs and candid interviews with the club's founder, staff and clientele.

No Image
⭐ 4.1

The Mass

1905

A mass gathering of people.

Days of Wonder
⭐ N/A

Days of Wonder

2025

Once a beloved playmate of her childhood, Markku had withdrawn into solitude, devoting his life to inner freedom and creativity rather than the expectations of society. Now his voice returns – sometimes playful, sometimes wounded, always searching – guiding Karin through his life’s work and opening space for an unusual collaboration between the living and the dead.

Outskirts
⭐ N/A

Outskirts

2023

Along the railroad tracks in Halle-Trotha, where city and countryside merge, people live on the outskirts of the city. Far away from the urban center, they spend their everyday lives between factories and ruins, supermarkets and wild nature. While Wolfgang is stranded on the river with his boat and has found a new home here, Wilma and Eberhard Schneider have lived on the outskirts of the city since childhood. A few houses away, a Buddhist meditates in a converted factory building. Sometimes the smell of the dog food factory is in the air and the clattering of the horse-drawn carriage echoes through the streets. "Stadtrand" tells of a place that is rarely noticed and yet everyone knows it.

Death Boom
⭐ N/A

Death Boom

2026

As a “spiritual follow-up” to 'Fin', 'Death Boom' “pulls back the curtain on the catastrophic mental and environmental impacts of the contemporary death care industry. The film, shown through the lens of the workers at the heart of it as they prepare for the passing of 77 million baby boomers, exposes the toll that embalming, cremation, and traditional burial have on those who’ve passed, their families, and deathcare workers, and the corruption – political, religious, and corporate – that stands in opposition to greener methods being nationally legalized and accessible.”

kOsOng
⭐ N/A

kOsOng

2020

Fertility is a complex topic, one that is easily reduced to outdated versions of gender roles and women to women concepts of an identity rooted in motherhood. A stigma around childless women is perhaps most heavily levied upon those who could but who choose to not bear children. kOsOng draws on the experiences of five Indonesian women as they confront this issue within themselves and in their relationships.

The Boy Who Rushed
⭐ 9.0

The Boy Who Rushed

2002

An intimate story about the author's search for her brother who went missing in action during war in Croatia in 1991. In a way, the film is a follow-up of the author's grandmother whose husband was killed in World War II. For the rest of her life the grandmother was awaiting his return. The Boy Who Rushed won numerous national and international awards, including the annual Vladimir Nazor Award for Film. It was shown at more than twenty international festivals. In 2001, it was Croatian candidate for Oscar for Best Documentary Film. The Boy Who Rushed is one of the best and most awarded Croatian documentaries in the past two decades.

Touched
⭐ N/A

Touched

2003

The alien abduction phenomenon, told by those who experienced it, with the weight of a Pulitzer Prize-winning Harvard psychiatrist at their back.

Kink
⭐ 5.2

Kink

2013

Director Christina Voros and producer James Franco pull back the curtain on the fetish empire of Kink.com, the Internet's largest producer of BDSM content. In a particularly obscure corner of an industry that operates largely out of public view, Kink.com's directors and models strive for authenticity. In an enterprise often known for exploitative practices, Kink.com upholds an ironclad set of values to foster an environment that is safe, sane, and consensual.

Wild Brazil
⭐ 7.2

Wild Brazil

2014

Go up-river and deep into the jungle far from Brazil's cities and stadiums, where families of giant otters, tufted capuchin monkeys and mischievous coati (South American raccoon cousins) rally their wits to survive in a breathtakingly beautiful yet dangerous land.

Defect
⭐ N/A

Defect

2024

After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.