Browse popular Documentary movies
Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes.
Focusing on ten Michelin 3 Star chefs, Three Stars depicts the everyday drama of life in gourmet restaurants and includes exclusive interviews and behind-the-scenes access to some of the world’s most talented chefs as they work in their gastronomic laboratories, hunt for exquisite ingredients in local markets, and gather rare edible plants along rough coastlines. It reveals the business of cooking on the highest level and highlights the various kitchen routines and culinary philosophies of chefs like Jean-Georges Vongerichten, Yannick Alléno, and Olivier Roellinger.
In 1462, the first African slaves were settled on the island of Cape Verde brought by the Portuguese colons. It is supposed that they were the first inhabitants of the archipelagos. They carried with them the rhythms and the seeds of what became the BATUQUE: a music form, performed mostly by women, both singers and dancers. The singers, repeat very strong lyrics, sitting in a circle and beating the rhythms with their hands on a piece of cloth between their legs. While one woman performs a very sensual dance with her hips in the middle of the circle. During the colonial era, it has been strongly forbidden but it remained alive in clandestinity. The group Raiz de Tambarina, one of the oldest groups of Batuque on Santiago island, is composed of ordinary people, saleswomen, fish merchants, drivers... Through their every day life and performances we discover Cape Verde today and their passion for the Batuque.
With the UK’s hardening immigration policy in the background, director Mira Erdevički follows the lives of three Roma: Petr Torák, Denisa Gannon and Ondrej Oláh. Settled in the UK over 20 years ago, the trio still feel attached to their native Slovakia and the Czech Republic. As the country goes into lockdown, they film their lives throughout the Covid pandemic and the aftermath of Brexit.
Behind the scenes of the 1992 Eurovision Song Contest from Malmö, Sweden. See the stage builders create the giant viking ship that was the centre piece of that year and everything else that goes into creating the spectacle of Eurovision.
The little boy with the big secret — After two decades living abroad, a filmmaker returns to his hometown in Brazil to confront the bullying he endured as an effeminate gay kid in a conservative, virile environment. Amidst the town's ugliness and hostility, he uncovers clues that lead him to unravel the roots of his own internalized homophobia.
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
In 1928, industrialist Henry Ford built a company town in the Brazilian jungle and established a rubber plantation. Within a few years his industrial utopia collapsed, coming to an end in 1945. Fordlândia was largely abandoned and became known as a ghost town.
A mysterious Being in a near future investigates a world devoid of human life and determines to unravel what led to the elimination of almost all lifeforms by using voice recordings they retrieved from the past – interviews made by filmmaker Susanne Brandstätter with prominent international experts and scientists before the elimination events. Each interview discloses new clues indicating what led to the deterioration of the environment, to the biosphere, to crops and finally to the extinction of humankind. Yet though Hungry’s visuals show a possible and grim future, the interviews deliver a positive argument for action: this vicious cycle can be broken before it’s too late.
Children’s drawings made during complicated visits to their parents. For them San Vittore is a castle. San Vittore is an episode of the series The Roots of Violence which is also composed by: San Siro (2014) San Giorgio (2019)
“Dona” Mariquita, a seamstress from the Brazilian countryside, is challenged with fulfilling the unforgettable singer Clara Nunes’ dream, after her tragic and untimely death. Clara was her sister and dreamed of creating an organization to help, educate, and care for dispossessed children. “Dona” Mariquita far exceeds her goals, building an enduring legacy that makes a difference in people’s lives and establishes even more her famous sister’s altruistic reputation.
Attrazione d'Amore is a touching illustration of the unique relation that has developed between the Conductor Riccardo Chailly and his famous Royal Concertgebouw Orchestra. Voyage to Cythera navigates through wonderful musical quotes made of performances conducted by Berio, rehearsals, archival documents and interviews featuring Riccardo Chailly and Louis Andriessen.
A synthesis of the life and soul of Portugal, with the sea, the river, the mountains, the plains, and the people who dance and work, cry and laugh, are born and die. From the Minho to the Algarve, distant places, sometimes difficult to access, were chosen for their beauty and picturesque, to figure in a register that allies realism to poetry?
A knife in the pocket, adrenaline in the blood and only one dream in mind: to be a gangster - and the biggest one at that. Yehya was 15 years old and close to realizing his dream when he met the filmmaker Christian Stahl in the stairwell. Yehya wasn't just the nice boy from next door, he was also "the Boss of Sonnenallee" - one of the gangster runners of the Berlin borough of Neukölln. And gangster runners want to make it in the gangster world. In the eyes of the authorities, he is an "intensive offender"; in his own eyes, Yehya is "one of the top ten of Neukölln. I got my own prosecutor!"
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
